At Iklectik, Lambeth (an independent performance space and research arts laboratory) we continued our collaboration with sound artist and composer Iain Chambers, developing a new image and text projection sequence to accompany a performance of Chamber’s 15 minute sonic score Concrete Paris.
The project proposed a return to the notion of terrain vague as a means to explore new interdisciplinary expressions of uncertainty across space and identity in contemporary practice, and to reengage urban conditions of the marginal and the unoccupied.
‘The Hard and Brut: A Journey Through Parisian Brutalism’, On Site Review (Canada), 2019
‘A Journey Through Modern Foundations: Re-imagining Modernity in the Work of Photolanguage’, Design Ecologies, 2018.
This exhibition brought together work shown at the Barbican Centre for Brutalism Rewired (2019) with work from La Revue Générale Brutaliste shown at the Institut Français, South Kensington (2018).